
Friday, March 4, 2011 7pm
Barnes and Noble at the Grove
189 The Grove Dr
Los Angeles, CA 90036
323.525.0270 or 323.604.9874 or email info@bigbearhorrorfilmfest.com
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FEAR THE FUTURE Contact us for more information info@bigbearhorrorfilmfest.com 323-604-9874


Silent Night, Deadly Night 2 (1987) - Dir. Lee Harry
Now, you’re probably asking, “why the sequel without the first?” Well, the second film is essentially the “good parts” version of the original, almost literally “all killer, no filler.” In the first film, after witnessing the murder of his parents by a thief dressed as Santa, young Billy is scarred for life.
Consistently tormented by holiday cheer as he grows up, he, too, finally snaps, dons a Santa suit and goes on a killing spree, punishing those he deems have been naughty, before being gunned down in front of his little brother Ricky. The first film has a bit more plot development involving an overbearing nun. But the second film is almost entirely flashbacks of the kills from the first, as Billy’s brother Ricky recounts the incidents of the first film to a psychiatrist.
Meanwhile, Ricky awaits trial for his own amazingly gratuitous killing spree, attributed to the trauma of witnessing his brother’s death (such a vicious cycle), which he then recounts before escaping, donning a Santa suit of his own and going after the nun he blames for his brother’s death. But, essentially, Silent Night, Deadly Night 2 is the greatest hits from the first film with a cherry on top.
Santa’s Slay (2005) - Dir. David Steiman
In this film, jolly St. Nick isn’t a willing purveyor of Christmas cheer. In fact, he’s not a saint either, not even close.
Bill Goldberg (yes, the former wrestler) plays the son of Satan, after losing a bet with an angel he’s forced to go around the world giving gifts and spreading joy for 2000 years. But, once the bet is off, he goes back to raising holy hell.
This is wonderful film to have in mind as you make the journey home for the holidays, gifts waiting under the tree, stockings hung by the chimney with care, parents cooking up the roast beast, a hyper-sexualized, homicidal trio holding you hostage in your train car…
So many amazing things going on is this film. From the Halloween inspired killer-POV opening, you know you’re in for a treat, but not because this film is anything like Halloween. Instead, it’s because the heavy breathing over the POV makes it seems like Darth Vader is the killer who hates Santa.
Young Harry Stadling spies mom and “Santa Claus” doing a bit more than kissing underneath the mistletoe. When “Santa” unhooked mom’s garter belt he unknowingly unhinged Harry, warping his fragile little mind.