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Showing posts with label horror. Show all posts
Showing posts with label horror. Show all posts

Saturday, May 7, 2011

Final Destination: Craig Perry




1) The first three Final Destination films were successfully released at the
beginning of the year. The Final Destination 3-D fixed what wasn't broken
with its Labor Day release and ended up with a franchise high gross, also
proving that the series could compete in the competitive summer market. Are
you surprised that the Final Destination films continue to grow in
popularity a decade after the series' inception?

Trust me, you never take it for granted so it’s always gratifying when a movie performs well. But I give credit to Warner Bros. They took the existing FD fan base and expanded it on a worldwide basis beyond my wildest dreams. So when they wanted us to make another movie, we saw it as an opportunity to go back to basics and deliver the best movie yet for the fans. And I think we did! FD5 is a significant improvement over all the previous films. I can’t wait for people to see it August 12th.

2) What is a key ingredient to the Final Destination series' longevity?
I believe the unique combination of commercial and contemplative has given this franchise its long legs. Look, first and foremost we’re trying to make an entertaining movie, a fun thrill ride everyone can enjoy. But if you look a little deeper, we explore issues of free will, determinism, fate, destiny, etc. These themes, with their often inherent contradictions, give the franchise a more intelligent and serious backbone than the standard slasher movie. It’s a concept that’s relatable, accessible and deeply rooted in the human psyche.

Everyone wonders when and how they’re going to die, and whether the choices they’ve made have played into their demise. And who hasn’t experienced a feeling of déjà vu? Or imagined something bad was going to happen… and it did? By investing everyday situations and items with a sentient malevolence – literally the hand of Death manipulating objects and events to cause someone to die – the stage is set physically and psychologically for some very unnerving setpieces. Which hopefully lead to a lot of fun in the theater!

3) Final Destination 5 is scheduled for release exactly two years after the
release of the fourth entry. Warner Bros. announced the release date in May,
2010, months before filming began. Have you ever worked with such an early,
predetermined release date?

Only once before, with AMERICAN PIE 2. That was nuts. But it’s a high-class problem to have. Despite the obvious challenges, a set release date forces a tremendous focus of creative energy and financial resources. Everyone has to be on-board from the word “go,” which provides a unique level of security in what is a very insecure business.

4) Do you feel the August 26, 2011 release date allowed a sufficient amount
of time for a production as big and logistically complicated as a Final
Destination film?

Yes. That’s what preproduction is all about! We had a great team generate an airtight plan to get it done. But more importantly, the movie we captured worked. Everything fell into place quickly. So we’re way ahead of schedule in terms of finishing it, which is a huge relief. And it’s allowed us to pull the release date back to August 12th.



5) Does it get easier to make a Final Destination film over time, or is the
series getting even more challenging with the growing scale and puzzles of
the effects sequences?

Absolutely. It’s getting much, much harder to come up with fresh setpieces that are relatable yet carry intrinsic, implied danger. I mean, let’s be honest – this franchise has put a dark twist on nearly every business and setting it has used. Dentistry, kitchens, tanning beds, rollercoasters, planes, home improvement centers, hell, even your own kitchen. Nothing is safe and nothing is sacred! It’s actually sort of distressing. I can’t walk down the street anymore without seeing a thousand ways I might die.


6) The opening disaster scenes in the first four Final Destination
films all involve man's failure to control travel technologies, from a plane
and automobiles to a roller coaster. With its reported suspension bridge
collapse, it appears that Final Destination 5's opening set piece tackles a
different kind of disaster; the crumbling of America's infrastructure. This
particular tragedy we have witnessed repeatedly over recent decades, from
the December 15, 1967 collapse of the Silver Bridge over the Ohio river to
the August 1, 2007 Minnesota bridge collapse over the Mississippi. Does this
shift to a darker disaster scene foretell a scarier approach to Final
Destination 5 on a whole?

We were most interested in exploiting the sense of helpless vertigo one gets when stuck on a large-span bridge. Look left or right, it seems like you’re a mile off the ground. And then you realize there’s nothing underneath you – just a dreadful three-hundred-yard fall to your watery demise. The fact that there have been several tragedies on bridges only solidifies the fears people have about being trapped on them. Moreover, experiencing those rubbery-leg moments in 3D is amazing. The opening bridge sequence in this movie feels like something out of a $150mm summer blockbuster. It’s staggering.





7) Longtime fans of the series are excited by the return of the
mysterious Mr. Bludworth, who we last saw in Final Destination 2. When was
it decided to bring fan favorite Tony Todd back into the franchise, and what
can fans expect from his return?

We tried to get Tony back in TFD, but scheduling wouldn’t permit it. He’s a valued and beloved part of this franchise. We knew the moment we got the go-ahead to start developing another installment that he would have a critical role in the story.

Fans can expect some classic Tony Todd in the new movie. He’s creepy, intimidating, darkly funny and generally awesome.

8)When The Final Destination 3-D was searching for a release date, the
number of 3-D films and 3-D equipped screens in the marketplace appeared to
be a major consideration. Is that the case now, or has there been a
proliferation of 3-D equipped theaters that makes for an easier release
strategy?

While there are certainly more screens than ever for 3D movies, getting in as many as possible is still the premium objective. Thankfully, we have an established brand. It gives us some latitude when we enter the marketplace.



9) The first three Final Destination films were filmed in Vancouver, BC,
but the fourth film moved the production to New Orleans. What prompted the
decision to move the production of Final Destination 5 back to its original
Vancouver location?

It’s always a question of economics, but Vancouver also offered tremendous ease of use. There are terrific, experienced crews based there, many of whom were familiar with the rigors of making these movies. Given how technically complicated FD5 was, it made sense to go back. Most of all, however, Vancouver is home to the Lions Gate Bridge, which creatively was the perfect bridge for us to bring down in spectacular fashion for the opening setpiece.

10) Have you ever had the urge to turn an American Pie entry into a
Dead Teenager movie?

AMERICAN DESTINATION: FINAL PIE… coming soon to a theater near you!

Interview by Armando Munoz and Michael Coulombe


Final Destination 5 Trailer

Saturday, April 2, 2011

Slice of Sci-Fi




Slice of Sci-Fi

Listen as Brooke Lewis interviews Festival Directors, Michael Coulombe, Jamie Kristen, and Director of Programming Chris Gaida

Thursday, March 17, 2011

Looking for the Ultimate Horror or Sci-Fi Fan

The Big Bear Horro-Fi Film Festival is looking for the Ultimate Horror and/or Sci-Fi Fan to be a judge at their 2011 film festival.

“Filmmakers don’t just make movies for other filmmakers, they make movies for movie-goers as well,” says Chris Gaida, Director of Programming. “The Ultimate Horro-Fi Fan is a good way to reward a fan and allow them to be part of the festival experience. When we decided to create a new blend of horror and sci-fi, we knew we had to find those fans that best embody that brand.”

A Horro-Fi fan is someone who loves the genre of horror and/or science fiction; the kind of fan that knows the smallest part of trivia or minutia detail of a specific movie/title of that genre.

The contest begins Monday, March 21, 2011.

The basic concept works like this:
1) Take a video, no longer than 2 minutes, and tell us why you think you should be the next Ultimate Horro-Fi Fan.
2) Be creative.
3) Submit the video and the submission form to us.

All entries will be uploaded to the website. The video that gets the most votes will win. It’s simple and fun. The complete guidelines and submission form can be found on the website at www.bigbearhorrorfilmfest.com/pages-ultimate-horrofi-fan

Jamie Kristen, Founder and Co-Producer of the Big Bear Horro-Fi Film Festival says “We look forward to this contest every year. We feel that including a fan to be on the judging panel adds diversity and a unique perspective.”

The 2011 Big Bear Horro-Fi Film Festival dates are September 30th - Oct 2nd in Big Bear Lake, CA. Submissions are now being considered for competition. For more information please visit the festival’s official website www.bigbearhorrorfilmfest.com

Thursday, March 10, 2011

Signing with Adrienne Barbeau



The Big Bear Horro-Fi Film Festival partnered with Barnes and Noble at the Grove in Los Angeles, CA to present an evening with Adrienne Barbeau as she discussed her new adventure into writing and signed her new book Love Bites.

Barbeau is best known for her roles in such classic horror films as Swamp Thing, Creepshow, and The Fog.

The event was held on Friday, March 4, 2011 and was well attended by fans of both Adrienne and the genre of horror including Harry Manfredini, composer of Friday the 13th, and Swamp Thing; Brooke Lewis, producer, and scream queen; Jeffrey Reddick, writer of Final Destination; Tom DeSanto, producer of X-Men and Transformers; and Kerry O’Quinn, creator of genre magazines Fangoria and Starlog.




Michael Coulombe, Founder and Co-Producer of the Big Bear Horro-Fi Film Festival said, “It was great to see such a great collection of amazing talent to come and support not only this new festival but such a wonderful woman who has contributed greatly to the world of entertainment.”

The dates for the 2011 Big Bear Horro-Fi Film Festival will be held September 30th - Oct 2nd in Big Bear Lake, CA. Submissions are now being taken. For more information please visit the festival’s official website www.bigbearhorrorfilmfest.com


Friday, December 31, 2010

A Scary Christmas and a Frightful New Year- Part 2


Black Christmas (1974) - Dir. Bob Clark


And we’re talking the original, for two reasons: 1) nobody’s yellow, 2) director Bob Clark also directed A Christmas Story
, so that’s two holiday classics he’s got under his belt. Throw in a Margot Kidder (Sisters, Superman, The Amityville Horror), Olivia Hussey (Romeo & Juliet, It), John Saxon (Enter the Dragon, A Nightmare on Elm Street, From Dusk ‘til Dawn), a serial killer crashing a sorority house Christmas party and ***SPOILER ALERT*** “The calls are coming from inside the house,” you’ve got yourself Christmas classic.


Silent Night, Deadly Night 2 (1987) - Dir. Lee Harry


***SPOILER ALERT***


Now, you’re probably asking, “why the sequel without the first?” Well, the second film is essentially the “good parts” version of the original, almost literally “all killer, no filler.” In the first film, after witnessing the murder of his parents by a thief dressed as Santa, young Billy is scarred for life.


Consistently tormented by holiday cheer as he grows up, he, too, finally snaps, dons a Santa suit and goes on a killing spree, punishing those he deems have been naughty, before being gunned down in front of his little brother Ricky. The first film has a bit more plot development involving an overbearing nun. But the second film is almost entirely flashbacks of the kills from the first, as Billy’s brother Ricky recounts the incidents of the first film to a psychiatrist.


Meanwhile, Ricky awaits trial for his own amazingly gratuitous killing spree, attributed to the trauma of witnessing his brother’s death (such a vicious cycle), which he then recounts before
escaping, donning a Santa suit of his own and going after the nun he blames for his brother’s death. But, essentially, Silent Night, Deadly Night 2 is the greatest hits from the first film with a cherry on top.


Santa’s Slay (2005) - Dir. David Steiman


In this film, jolly St. Nick isn’t a willing purveyor of Christmas cheer. In fact, he’s not a saint either, not even close.


Bill Goldberg (yes, the former wrestler) plays the son of Satan, after losing a bet with an angel he’s forced to go around the world giving gifts and spreading joy for 2000 years. But, once the bet is off, he goes back to raising holy hell.

Monday, December 27, 2010

A Scary Christmas and a Frightful New Year- Part 1

I’m pretty sure this isn’t what they had in mind when they said, “keeping Christ in Christmas,” but scaring the be-jesus out of you is about as close as I’m gonna get to a religious Christmas. So, if spending the holidays with your relatives isn’t frightening enough, I offer my list of holiday-themed horror films, one for each of the 12 days of Christmas, to help you scream in the New Year.


The Last Stop on the Night Train (1975) - Dir. Aldo Lado

This is wonderful film to have in mind as you make the journey home for the holidays, gifts waiting under the tree, stockings hung by the chimney with care, parents cooking up the roast beast, a hyper-sexualized, homicidal trio holding you hostage in your train car…

In the world of high concept summaries, I imagine the pitch for this film went something like this, “It’s Last House on the Left on a train… but with more sex and violence.” Sold. Lisa and Margaret catch the night train from Germany to Italy to spend Christmas with Lisa’s family, but a chance encounter with two guys, a girl and a pocketknife puts a damper on their holiday. If you’re familiar with The Last House on the Left, then you know this story. It’s the same gist, with the terrible trio getting picked up by Lisa’s parents. If you like Last House, then you’ll like Night Train.



So many amazing things going on is this film. From the Halloween inspired killer-POV opening, you know you’re in for a treat, but not because this film is anything like Halloween. Instead, it’s because the heavy breathing over the POV makes it seems like Darth Vader is the killer who hates Santa.

Sadly, the madman loose in London, killing anyone he can find dressed as Santa, is not Darth Vader. I guess they couldn’t afford David Prowse. Still, gory deaths abound. And I’m pretty sure that Al McGoohan, credited for writing and directing additional scenes, comes from the world of porn, because there are some wonderfully random scenes that have almost nothing to do with the plot of the film and seem to serve no purpose other than provide some gratuitous nudity. This film might have you thinking twice about dressing up as Santa. It might also make you think twice about asking your girlfriend, who just witnessed her father’s murder, to pose nude for a photographer friend.

Christmas Evilaka You Better Watch Out–(1980) - Dir. Lewis Jackson


Young Harry Stadling spies mom and “Santa Claus” doing a bit more than kissing underneath the mistletoe. When “Santa” unhooked mom’s garter belt he unknowingly unhinged Harry, warping his fragile little mind.


Once Harry’s all grown up, he’s got an unhealthy obsession with Christmas, spying on all the neighborhood kids, making his own list of who's naughty and nice. Imagine Travis Bickle, but instead of driving a taxi he works in a toy factory. And when he finally snaps, instead of donning a Mohawk, he super-glues a white beard to his face, dons a Santa suit, and spreads a little Christmas fear by killing those he deems naughty. But the nice need not fear him; he has no problem rewarding the good boys and girls. You won’t believe the ending.